PRODUCTION AT La Chapelle Theatre | ||||
| 2008 | Set and Costume Designer | Down Dangerous Passes Road by Michel Marc Bouchard Talisman Theatre | Directed by Emma Tibaldo | |
PRODUCTION AT THE Bain St-Michel | ||||
| 2007 | Set and Costume Designer | That Woman by Daniel Danis Talisman Theatre | co- pro with Infinitheatre Directed by Emma Tibaldo | |
PRODUCTION AT THE Geordie Space | ||||
| 2006 | Set and Costume Designer | That Woman by Daniel Danis Talisman Theatre | Directed by Emma Tibaldo | |
PRODUCTION AT THE Club Soda | ||||
| 2006 | Set Designer | Azafran Ballet Flamenco Arte de Espana | Choreographed by Lynne McGee | |
PRODUCTION AT THE Cinquième Salle Place-des-Arts | ||||
| 2006 | Set and Costume Designer | Je te lègue ma folie Aphasic Theatre | Directed by Isabelle Coté | |
PRODUCTION AT THE STE-CATHERINE Theatre | ||||
| 2006 | Set and Costume Designer | Prodigy by Nancy Huston Persephone Productions | Directed by Gabrielle Soskin | |
PRODUCTIONS AT THE SAIDYE BRONFMAN CENTER | ||||
| 2006 | Head of Props | Fallen Angels by Noel Coward Directed by Diana Leblanc | Design by Micheal Gianfrancesco | |
| 2006 | Head of Props | Those Were the Days by Zalmen Mlotek and Moishe Rosenfeld | Directed by Bryna Wasserman | |
| 2006 | Head of Props | God of Vengeance by Sholem Asch Directed by B.Wasserman | Design by Yannik Larivée | |
| 2006 | Head of Props | Doll House by Ibsen Directed by Peter Hinton | Design by Eo Sharp | |
| 2005 | Head of Props | Importance of being Earnest by Oscar Wilde | Directed by Ben Barnes | |
PRODUCTION AT THE STE-CATHERINE Theatre | ||||
| 2005 | Set and Costume Designer | A Phoenix too Frequent By Christopher Fry | Directed by Moira Wylie | |
PRODUCTIONS AT Monument National - Hydro-Quebec Studio | ||||
| 2005 | Set Designer | Oedipus Rex by Sophocles | Production Gravy Bath Directed by Anthony Kokx | |
PRODUCTIONS AT THE SAVOY SOCIETY - Moyse Hall | ||||
| 2005 | Set Designer | H.M.S. Pinafore Gilbert & Sullivan | Directed by Eric Simpson | |
PRODUCTIONS AT THE Theatre St.-Catherine | ||||
| 2005 | Set and Costume Designer | Rape of Lucrece By William Shakespeare | Gravy Bath Production Directed by Anthony Kokx | |
PRODUCTIONS AT THE STRATFORD FESTIVAL - Festival stage | ||||
| 2004 | Assistant Set and Costume Designer | Midsummer Night's Dream William Shakespeare | Directed by Leon Rubins Designer John Pennoyer | |
PRODUCTIONS AT THE SAIDYE BRONFMAN CENTER - Saidye 'B' stage | ||||
| 2004 | Set and Costume Designer | Adaptation of De Profundis by Oscar Wilde | Gravy Bath Production Directed by Madd Harold | |
PRODUCTIONS AT THE NATIONAL THEATRE SCHOOL OF CANADA | ||||
| Year | Position | Play | Author | Director |
| 2003 | Set Designer | New Words Festival-Vita | Ivana Shein | Emma Tibaldo |
| Set Designer | New Words Festival-Hemlock | Stephanie Alexander | Anthony Black | |
| 2002 | Set Designer | Baruffa, inspired from Baroufe à Chioggia | Carlo Goldoni | Robert Bellefeuille |
| Costume Designer | The Laramie Project | Moisés Kaufman | Dennis Garnhum | |
PROJECTS AT THE NATIONAL THEATRE SCHOOL OF CANADA | ||||
| Year | Position | Play | Author | Tutor |
| 2002 | Costumes | The Tempest | William Shakespeare | Véronique Borboën |
| Set | Bajazet | Jean Racine | David Gaucher | |
| Set | Danton's Death | Georg Büchner | Judit Csanadi | |
| 2001 | Set and costumes | The Rehearsal | Jean Anouilh | Diana Leblanc |
| Set and costumes | Mother Night | Kurt Vonnegutt | Louise Jobin | |
| 2000 | Costumes | A Month in the Country | Ivan Turgenev | François St-Aubin |
| Set | Curmudgeon | Thelon Oeming | Danièle Lévesque | |
Costume Design : Véronique Borboën, Diana Leblanc, Susan Benson, François St-Aubin Costume Construction : Jill Thomson, Michel Proulx Drawing and Colour : François Vincent, Catherine Farish Precision Drawing and Perspective : Guido Tondino, Michèle Laliberté History of Architecture : Indra McEwen History of Costume : Véronique Borboën Art Direction for Film : Louise Jobin Scenic Art : Louis Beaudoin Scenography : Danièle Lévesque, David Gaucher, Judit Csanadi Computer Assisted Drawing : David Gaucher Maquette Construction : Robert Leader Directing : Guido Tondino Lighting : Francis Reid Production : Michel Gosselin, Norberts Muncs History of Textile : Véronique Borboën Design : Guido Tondino Properties : Philippe Pointard Costume Breakdown : Sylvie Chaput Millinery : Ginette Grenier, Lucie Grégoire
| RELATED EXPERIENCE | |
Klockner Stadler Hurter Ltd | |
| 1993-1998 | Project engineer for local and international pulp and paper mills (steam & power specialization) |
| 1988-1993 | Mechanical and environmental engineer: assistant to engineer for local and international projects(deinking and waste water treatment plants) |
Lionel-Groulx College | |
| 2000 | Scenic Carpentry in Red Ryder by Mark Medoff and in Jimmy Dean by Ed Graczyk, directed by Bernard Lavoie |
| 1999 | Scenic Painting in Chroniques d'une fin d'après-midi by Chekhov, directed by Reynald Robinson |
| Lighting Apprentice in Lancelot du Lac by Marie Renée Charest, directed by Clément Cazelais | |
RELATED TRAINING | |
| 2000-2003 | Scenography graduate, National Theatre School of Canada |
| 2002 | Work-Study in Wardrobe, Banff Centre for the Arts - Assist in building costumes for dance and opera performances |
| 2001 | Assistant Wardrobe-Keeper, Centre national du costume - Assist customers with period costume rentals for film and TV projects |
| 1998-2000 | Theatre Production Program, Lionel-Groulx College, Ste-Thérèse (2 years) |
| 1982-1986 | Bachelor of Engineering (mechanical), McGill University, Montreal |
LYNE PAQUETTE, Montreal, Quebec: (514) 846-0402 | |
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